My Melodrama
When Alexis was driven to school by his father as a child, they would listen to three cassettes on rotation: Elton John’s hits, La Traviata,...
Catch while you still can
Results: 17
Curator Reviews
Season Opening Concert: Santtu and Sol Gabetta
londonConcert
The Southbank Centre remains one of my favourite places in London to listen to classical music, but on Thursday 24...
from: Alexis van Lennep
The Cherry Orchard
londonTheatre
In Conor McPherson’s adaptation of Anton Chekhov’s The Cherry Orchard, laughter prevails, as tragedy gives way to comedy with a...
from: Luke Bromage-Henry
De Profundis
londonTheatre
More often than not, I see a show on a weeknight - hurrying from the office to pick up a...
from: Ele Forsdyke
End of the World and Hard-Boiled Wonderland
londonTheatre
One of the foundational tenets of alchemy is the idea of equivalent exchange, that the creation of one thing demands...
from: Luke Bromage-Henry
Jess & Morgs: DEEPFAKE
londonDance
Cutting-edge, frontline, breaking news! Not your typical descriptors for a contemporary dance performance with a subtle nod to classical ballet...
from: Stephanie Leontiev
Who’s Afraid of Virginia Woolf?
londonTheatre
Bartender, Please Make That a Double. Everyone should see Who’s Afraid of Virginia Woolf? once, but is it better the...
from: Sarah Hyde
Pam Tanowitz Dance: Pastoral
londonDance
There is no shortage of technical detail in Pam Tanowitz’s choreography. Intricate motifs run throughout, with bodies constantly folding, twisting...
from: Ella Gibbs
The Cherry Orchard
new yorkTheatre
Leaving Simon Stone’s all-Korean adaptation of The Cherry Orchard at the Park Ave Armory, the first thought I had was...
from: Lisa Cochran
Catarina and the Beauty of Killing Fascists
londonTheatre
I should have tempered my expectations before seeing Catarina and the Beauty of Killing Fascists. My curiosity had been peaked...
from: Clementine Melvin
The Surge: An Ode to Sinéad O’Connor
new yorkDance
I am a nineties kid and had not listened to O'Connor in years. On my way to The Joyce Theater...
from: Enrique De Roeck