On the first floor of a former Victorian silversmith’s atelier on Fleet Street, on the opening night of Frieze week, Ashley Saville Gallery is packed to the picture rails, and a figure is reading a monologue from beneath a papier-mâché box camera. This is Physiologic Pasta II, an “absurdist opera” by multi-disciplinary Eve Jefferies, staged for one night alongside an...
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Children's theatre doesn't usually wiggle its way into the cultural conversation, which I think is a crying shame, because I believe, as many have argued, that the secret of genius is carrying the spirit of childhood into maturity. I have therefore always imagined that the conversations creatives have around a show for children must be some of the most freeing,...
Date 25. September 2026
5 min. read
"I didn't enter the world of opera," the French mezzo-soprano Katia Ledoux says with a contagious laugh. "The world of opera entered me." The culprit? A VHS tape of Francesco Rosi's film Carmen that appeared in her family home when she was three; no one remembers how it got there. Where other children fixate on dolls or dinosaurs, Ledoux fell...
Date 25. September 2026
6 min. read