Latest stories
01

The Ruffled Universe of Costumier Hannah Oellinger

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Getting a peak into opera costumier Hannah Oellinger’s mind is a wondrous thing. In this conversation with Melodrama she shares how her imagination is fed by movie costumes (she shouts-out Eiko Ishioka), museum catalogues, fairy tales, Elsa Schiaparelli’s enduring wit, the Met’s Camp exhibition and…

Date February 11, 2026
Read 6 min. read
02

RESTRICTED VIEW #2

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A monthly review of the (London) Drama.

BY Clementine Melvin
Date February 7, 2026
Read 3 min. read
03

“Oh—you’re still playing the clarinet?” Spotlight On Carnegie Hall’s Ensemble Connect

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The young Armenian-American clarinetist Anoush Pogossian is at the start of her career, thinking carefully about who classical music is for. She is a fellow with Ensemble Connect which brings emerging classical musicians into Carnegie Hall and asks them to do more than perform: teach,…

Date February 4, 2026
Read 2 min. read
01

The Ruffled Universe of Costumier Hannah Oellinger

Read

Getting a peak into opera costumier Hannah Oellinger’s mind is a wondrous thing. In this conversation with Melodrama she shares how her imagination is fed by movie costumes (she shouts-out Eiko Ishioka), museum catalogues, fairy tales, Elsa Schiaparelli’s enduring wit, the Met’s Camp exhibition and…

Date February 11, 2026
Read 6 min. read
02

RESTRICTED VIEW #2

Read

A monthly review of the (London) Drama.

BY Clementine Melvin
Date February 7, 2026
Read 3 min. read
03

“Oh—you’re still playing the clarinet?” Spotlight On Carnegie Hall’s Ensemble Connect

Read

The young Armenian-American clarinetist Anoush Pogossian is at the start of her career, thinking carefully about who classical music is for. She is a fellow with Ensemble Connect which brings emerging classical musicians into Carnegie Hall and asks them to do more than perform: teach,…

Date February 4, 2026
Read 2 min. read

Browse Stories

Turandot: Problematic Fave

Kyle Turner
6 min. read

Problematic fave Franco Zeffirelli’s production of Turandot has been in repertory at the Met Opera on and off for nearly four decades, well after most of the Western world in…

OUT OF HER COMFORT ZONE AT THE OPERA

Sarah Hyde
3 min. read

Art Writer Sarah Hyde explores the production of La Bohème, Part of the Famous Glyndebourne Opera House’s Autumn Season.

The Ruffled Universe of Costumier Hannah Oellinger

6 min. read

Getting a peak into opera costumier Hannah Oellinger’s mind is a wondrous thing. In this conversation with Melodrama she shares how her imagination is fed by movie costumes (she shouts-out…

“Oh—you’re still playing the clarinet?” Spotlight On Carnegie Hall’s Ensemble Connect

2 min. read

The young Armenian-American clarinetist Anoush Pogossian is at the start of her career, thinking carefully about who classical music is for. She is a fellow with Ensemble Connect which brings…

Downtown Theater’s Scott Shepherd on the Wild, Hilarious, and Lyrical beauty of James Joyce

6 min. read

Actor and practitioner Scott Shepherd has an “extreme‑sport attitude toward performance.” A beacon of The Wooster Group and Elevator Repair Service—experimental theatre ensembles known for their radical, form‑bending work—he has…

From Flash Mobs to Opera: Meet Colombian Soprano Julieth Lozano Rolong

5 min.

Opera found Julieth Lozano Rolong by accident—and she followed it all the way from Colombian flash mobs to international stages. Calling in from rehearsals in Glasgow, the expressive and wildly…

KEENAN TYLER OLIPHANT ON THE PROCESS OF DIRECTING

Kate Purdum
5 min. read

Keenan Tyler Oliphant is a theatre-maker and director from Cape Town, South Africa. Melodrama’s Kate Purdum recently spoke to Oliphant over the phone about his work on Nazareth Hassan’s Practice,…

SAM PRITCHARD ON INHERITED STORIES AND MYTHS OF WHAT IT MEANS TO BE A MAN

Luke Bromage Henry
6 min. read

Sam Pritchard is a theatre director and the former Associate Director at the Royal Court Theatre in London. Most recently, he directed Romans: A Novel, the latest play by award-winning…

RESTRICTED VIEW #2

Clementine Melvin
3 min. read

A monthly review of the (London) Drama.

RESTRICTED VIEW #1

Clementine Melvin
3 min. read

A monthly review of the (London) Drama.

Curator Reviews

The Importance of Being Earnest

london
Theatre

If you\'re in the mood for Panto à la Bridgerton, this is your show. For me, Wilde\'s words were over-acted...

from: Louise Snouck
PUNCH

london
Theatre

My concerns that the gaudy, golden trim of the Apollo\'s interior might clash with the subject matter were quickly abated....

from: Luke Bromage-Henry
Woolf Works

london
Dance

Max Richter, Virginia Woolf, and a night at the ballet. That was all it took to persuade me to book...

from: Luke Bromage-Henry
Oedipus

london
Theatre

Robert Icke is one of the most exciting voices in theatre today. A master of transforming classic texts, he turns...

from: Esmé Thompson
PUNCH

london
Theatre

Rarely do the flood-gates open for me in the theatre like they did about 30 minutes into this play (which...

from: Louise Snouck
The Line of Beauty

london
Theatre

This adaptation of Alan Hollinghurst’s novel arrives freighted with the dismal ambition of being adapted from a much loved novel...

from: Rupert Stonehill
GIANT

london
Theatre

I was lucky enough to see this at The Royal Court and it was unforgettable. John Lithgow transforms into a...

from: Esmé Thompson
Tosca

london
Opera

Tosca isn’t my favourite but this new production directed by Oliver Mears was absolutely superb. It helps that Anna Netrebko...

from: Victoria Alvarez-Rendueles
‘Sweet Mambo’ – A piece by Pina Bausch

london
Dance

A woman slips away from the party for a moment of blissful solitude. Her champagne-coloured gown wafts gently in the...

from: Ella Gibbs
Wicked

london
Musical

I was lucky enough to see the original Wicked with Idina Menzel when she came to the West End and...

from: Esmé Thompson