I was lucky enough to see this at The Royal Court and it was unforgettable. John Lithgow transforms into a complex, curmudgeonly Roald Dahl and leaves you with your jaw on the floor by the play\'s end. Sophisticated in its writing, Giant is deceptively witty, haunting and timely.
GIANT
Following a wildly successful End run (it scooped up three Olivier Awards), this new play by Mark Rosenblatt tells the story of Roald Dahl and the (fairly unknown) scandal that almost shook his legacy.
This is theatre at its best: a work of sheer brilliance. No matter who you are — just see it. No notes!
2 hours, 20 minutes
From: March 11th, 2026
Until: June 28th, 2026
- Theatre
RECOMMENDED BY
Esmé Thompson
What our culture curators are saying
Esmé Thompson
I was lucky enough to see this at The Royal Court and it was unforgettable. John Lithgow transforms into a complex, curmudgeonly Roald Dahl and leaves you with your jaw on the floor by the play\'s end. Sophisticated in its...
Rupert Stonehill
This is Proper play with a capital P. John Lithgow as Roald Dahl is spellbinding. Irascible, charming, controlling, and capricious, he owns the stage. The character’s intellectual agility belies his humanity, to which Lithgow brings great physicality. The play is...
Louise Snouck
Queued for an hour to get returns for this play at the Royal Court. I would have queued several more. This is everything that theatre should be! Simply, not one dull second and sits with you well after the show...
Clementine Melvin
I first saw Giant at the Royal Court before its ‘transfer’* to the Harold Pinter; *I’m aware this is wanky theatre speak equivalent to saying the top you’ve just been complimented on is ‘vintage’. Giant 2.0 was even more enjoyable...
RECENTLY REVIEWED
All My Sons
“Celeb studded casts have become as common place in London’s West End as Pret A Mangers on the surrounding streets. They often leave you with a similar feeling too: you’ve paid too much for something that lacks proper substance. I am thrilled to type that All My Sons at Wyndham’s Theatre leaves you with no such feeling. Yes, it’s a very expensive show, but it is as enriching and nourishing as the juiciest steak. The stars (Bryan Cranston, Paapa Essiedu, etc.) don’t steal scenes. They work together, lifting and lovingly delivering Miller’s words. A true ensemble & a show truly worth catching. As the fellow solo theatre goer said to me during the curtain call: ‘I’m so happy I spent all my salary on that. I now don’t need to eat for the month’.”
Other
“I first saw “Other” over the summer in the Berkshires under its previous title “Out of Character.” I didn’t like it then, and I still don’t like it now. Ari’el Stachel has written this 90 minute one-man play, positing that it explores belonging in America, particularly in regards to his ethnic background and lifelong struggles with obsessive compulsive disorder. Instead, the show is more the self-indulgent monologue of a historically compulsive liar that sprinkles in thinly-veiled Zionism. For a play that mostly conflates identity with geopolitics, it is well-acted. And it tracks that Stachel is a great actor—he did play the part of another race for much of his life. His accent and impression work are outstanding and his projectile volume of spit recalls Broadway’s Jonathan Groff.”
Oedipus
“Robert Icke is one of the most exciting voices in theatre today. A master of transforming classic texts, he turns this ancient myth into a contemporary political thriller. Lesley Manville and Mark Strong deliver fantastic performances giving us a show that\'s repulsive, captivating and heartbreaking all at once.”
Leave A ResponseWe’d love to hear your thoughts on this show!
You must be logged in to post a comment.