“I'm seriously late to the party, but I've finally seen Arcadia in the West End. I've never needed convincing of...”
Louise Snouck
It was either her spin on stage as Blousey in Bugsy (aged 10), or playing Eve (as in Adam) aged 6 at her local Church, that began Louise’s enduring love affair with the performing arts. Hopelessly devoted (“sorry”) to a musical, but also “endlessly gobsmacked” by the Gesamtkunstwerk that is opera, and eternally delighted by plays that will “make you both laugh and cry”. Most recently it was Punch on the West End which kept the tears falling: “It gets thrown around too often, but it’s really a must watch.”
RECENTLY REVIEWED
How the Other Half Loves
“Nothing gets an audience roaring quite like an outrageous dinner party scene. Add slapstick and chaotic choreography and it might...”
The Price
“Quite early into this performance, I am reminded yet again why Arthur Miller's plays will (hopefully) always be staged. The...”
L’Orfeo
“Indulge me momentarily as I set the scene for a midsummer’s night at Glyndebourne Festival. Picnic basket in hand, donning...”
Leon Bosch and Ubuntu Ensemble: Upstairs At Ronnie’s
“A five star evening Upstair's At Ronnies. A very welcomed new addition to London's cultural offerings. Because of the sacred...”
Jaja’s African Hair Braiding
“Palpable joy and audible shrieks reverberated through the auditorium last night at the Lyric Hammersmith. Set in a braiding salon...”
Romeo & Juliet Suite
“A glossy-red arena onto which the dancers of LA Dance Project continuously sprint on-to and off-of after completing another spectacular...”
OH MARY!
“Did I know when I saw this about two years ago in its infancy that this was going to be...”
Ballet Shoes
“Goddammit I was not expecting this to be so good!!! A family (read: 3 grown adult women) outing to the...”
PUNCH
“Rarely do the flood-gates open for me in the theatre like they did about 30 minutes into this play (which...”
"We just literally staged the last scene of the play", Linnea Berthelsen says, apologising for running a few minutes late. A week or so out from her London stage debut...
Whilst TD Moyo tells me that she found her way to opera by accident, it was a pretty auspicious accident. She was asked to join a directing programme at London's...
It is winter in Rio de Janeiro, which is to say it is 29 degrees. Armando Babaioff appears on my screen laughing about the two days this year he has...
Paolo Fantin is having a rather spectacular year. In February, he designed the Milano Cortina 2026 Winter Olympics Opening Ceremony, and this July will reveal his stage for the legendary...
An encounter with the costume sketches of Rococo artist François Boucher in the Bibliothèque-Musée de l’Opéra (Paris Opera Library) shifted Camille Assaf’s path from theory (philosophy) to practice (design): “At...
Stage design is often a hidden art. While audiences marvel at the final grand result of an opera, few realize the months of drafting, sculpting, and building work that happen...
At nineteen, the Royal Central student Leo Simpe-Asante can already list his work as a composer, poet, playwright, and actor on his resume. He has been writing plays and musicals...
Whether she is transforming actors into neon-hued trolls or mechanical dolls, the Berlin-based costume designer Teresa Vergho views the human body as a site of radical construction. Having collaborated with...
For over two decades, the Belgian set and exhibition designer Sabine Theunissen has been the close collaborator of renowned South African artist William Kentridge. While his expansive practice wanders across...
From years spent working for John Galliano during his Christian Dior reign, to the hallowed stages of the Royal Opera House and the Royal Danish Ballet, Danish designer Anja Vang...