Latest stories
01

Jess & Morgs Choreograph the Post-Truth Interview

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Whilst choreographers Jessica Wright and Morgann Runacre-Temple have been making work together for over fifteen years, their new production marks the first time that they are doing so as their own company. Known collectively as Jess & Morgs, the pair have spent those years moving…

BY Louise Snouck
Date September 7, 2026
Read 3 min. read
02

Simon Stone Enlisted Seoul-based Architect Saul Kim to Design the House at the Heart of his Cherry Orchard

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Chekhov's final masterpiece, The Cherry Orchard, follows a fading aristocratic family who return to the estate they can no longer afford, and watch it — orchard and all — sold off beneath them. The iconoclastic director Simon Stone, known for dismantling and rebuilding the classics,…

BY MELODRAMA
Date September 1, 2026
Read 3 min. read
03

From Stranger Things To Her London Stage Debut: Linnea Berthelsen on Darkling

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"We just literally staged the last scene of the play", Linnea Berthelsen says, apologising for running a few minutes late. A week or so out from her London stage debut (at the Bush Theatre, which just so happens to be her local), the Stranger Things…

BY Louise Snouck
Date August 26, 2026
Read 5 min. read
01

Jess & Morgs Choreograph the Post-Truth Interview

Read

Whilst choreographers Jessica Wright and Morgann Runacre-Temple have been making work together for over fifteen years, their new production marks the first time that they are doing so as their own company. Known collectively as Jess & Morgs, the pair have spent those years moving…

BY Louise Snouck
Date September 7, 2026
Read 3 min. read
02

Simon Stone Enlisted Seoul-based Architect Saul Kim to Design the House at the Heart of his Cherry Orchard

Read

Chekhov's final masterpiece, The Cherry Orchard, follows a fading aristocratic family who return to the estate they can no longer afford, and watch it — orchard and all — sold off beneath them. The iconoclastic director Simon Stone, known for dismantling and rebuilding the classics,…

BY MELODRAMA
Date September 1, 2026
Read 3 min. read
03

From Stranger Things To Her London Stage Debut: Linnea Berthelsen on Darkling

Read

"We just literally staged the last scene of the play", Linnea Berthelsen says, apologising for running a few minutes late. A week or so out from her London stage debut (at the Bush Theatre, which just so happens to be her local), the Stranger Things…

BY Louise Snouck
Date August 26, 2026
Read 5 min. read

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Curator Reviews

Inter Alia
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I saw Inter Alia in its initial run at the National Theatre in July of 2025. It levelled me. Rosamund...

from: Luke Bromage-Henry
Don Giovanni
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Once the curtain came down for the first interval, I turned to my companion and asked whether she was getting...

from: Louise Snouck
The Children
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I’ve always wanted to see something written by Lucy Kirkwood in the theatre. I’ve read some of her plays and...

from: Clementine Melvin
Tartuffe, Remixed
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Darren Raymond has taken Molière’s 17th century farce and created a piece of theatre that is lyrical, rhapsodic, and enormously...

from: Luke Bromage-Henry
Bigfoot Ripped My Dog In Half I Saw It
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I love this duo. Their pin-sharp mime, knock-out accent work and general perfected silliness. It's a breath of fresh air,...

from: Louise Snouck
The Rocky Horror Show
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The Studio 54 Theater is always full of ghosts of party animals past, but seldom have those ghosts felt so...

from: Kate Purdum
Wild Arts: The Marriage of Figaro
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When Mozart premiered the Marriage of Figaro in 1786, it had an alternative title, La Folle Journée, which directly translates...

from: Sarah Hyde
Tosca
london Opera

In Ted Huffman's hands Tosca is so much more than a "shabby little shocker" and if it is "a drama...

from: Sarah Hyde
Arcadia
london Theatre

I'm seriously late to the party, but I've finally seen Arcadia in the West End. I've never needed convincing of...

from: Louise Snouck
How the Other Half Loves
london Theatre

Nothing gets an audience roaring quite like an outrageous dinner party scene. Add slapstick and chaotic choreography and it might...

from: Louise Snouck