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01

RAKIE AYOLA ON FINDING THE HUMOUR IN THE DARK

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Rakie Ayola, a powerhouse of the British stage and screen, is barreling toward an ADR session in an Uber for a film she can’t quite talk about yet. It’s a chaotic (and amusing) backdrop for a conversation with Clementine Melvin about The Authenticator, the comic…

BY Clementine Melvin
Date April 11, 2026
Read 6 min. read
02

QWEEN JEAN ON THE RADICAL SPIRIT OF CATS: THE JELLICLE BALL

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The ecstatic, high-energy revival of Cats: The Jellicle Ball at the Broadhurst Theatre in New York reimagines the feline competition at the heart of the show’s episodic string of character numbers as a night in the New York City ballroom scene. Glamour cats of all…

BY Kate Purdum
Date April 3, 2026
Read 5 min.
03

Arthur Miller’s Plea for us to Pay Attention.

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When Arthur Miller plays are revived, they don’t reflect contemporary time or mores in the way that other writers might. Broken Glass takes place at the dawn of World War II, All My Sons takes place in the wake of it; The Crucible takes place…

BY Sam Moore
Date April 2, 2026
Read 5 min. read
01

RAKIE AYOLA ON FINDING THE HUMOUR IN THE DARK

Read

Rakie Ayola, a powerhouse of the British stage and screen, is barreling toward an ADR session in an Uber for a film she can’t quite talk about yet. It’s a chaotic (and amusing) backdrop for a conversation with Clementine Melvin about The Authenticator, the comic…

BY Clementine Melvin
Date April 11, 2026
Read 6 min. read
02

QWEEN JEAN ON THE RADICAL SPIRIT OF CATS: THE JELLICLE BALL

Read

The ecstatic, high-energy revival of Cats: The Jellicle Ball at the Broadhurst Theatre in New York reimagines the feline competition at the heart of the show’s episodic string of character numbers as a night in the New York City ballroom scene. Glamour cats of all…

BY Kate Purdum
Date April 3, 2026
Read 5 min.
03

Arthur Miller’s Plea for us to Pay Attention.

Read

When Arthur Miller plays are revived, they don’t reflect contemporary time or mores in the way that other writers might. Broken Glass takes place at the dawn of World War II, All My Sons takes place in the wake of it; The Crucible takes place…

BY Sam Moore
Date April 2, 2026
Read 5 min. read

Browse Stories

Arthur Miller’s Plea for us to Pay Attention.

Sam Moore
5 min. read

When Arthur Miller plays are revived, they don’t reflect contemporary time or mores in the way that other writers might. Broken Glass takes place at the dawn of World War…

Turandot: Problematic Fave

Kyle Turner
6 min. read

Problematic fave Franco Zeffirelli’s production of Turandot has been in repertory at the Met Opera on and off for nearly four decades, well after most of the Western world in…

OUT OF HER COMFORT ZONE AT THE OPERA

Sarah Hyde
3 min. read

Art Writer Sarah Hyde explores the production of La Bohème, Part of the Famous Glyndebourne Opera House’s Autumn Season.

RAKIE AYOLA ON FINDING THE HUMOUR IN THE DARK

Clementine Melvin
6 min. read

Rakie Ayola, a powerhouse of the British stage and screen, is barreling toward an ADR session in an Uber for a film she can’t quite talk about yet. It’s a…

QWEEN JEAN ON THE RADICAL SPIRIT OF CATS: THE JELLICLE BALL

Kate Purdum
5 min.

The ecstatic, high-energy revival of Cats: The Jellicle Ball at the Broadhurst Theatre in New York reimagines the feline competition at the heart of the show’s episodic string of character…

JOCELYN BIOH’S COMEDY TRAVELS (WELL) FROM HARLEM TO HAMMERSMITH.

Louise Snouck
6 min. read

At the London premiere of Jaja’s African Hair Braiding last week at the Lyric Hammersmith, the air was alight with shrieks and uninhibited, riotous laughter—the sounds of an audience recognizing…

SETTING THE SCENE WITH DESIGNER GARY MCCANN

Louise Snouck
3 min. read

From a childhood spent building worlds out of Lego in rural Ireland to designing for the historic stages of La Fenice and La Scala, set and costume designer Gary McCann…

THEODORA SKIPITARES: THE PUPPET MASTER

Melodrama

Theodora Skipitares has spent forty years building a puppet population in New York City. Her work emerged from the 1970s feminist second wave, a time when the body was the…

WHITNEY WHITE’S THEATRICAL PILGRIMAGE

Louise Snouck
6 min. read

Theatre polymath and artistic force Whitney White spent the last month on a sort of pilgrimage to the "Holy Land" of theater makers. Otherwise known as Stratford-upon-Avon, the town where…

RESTRICTED VIEW #2

Clementine Melvin
3 min. read

A monthly review of the (London) Drama.

RESTRICTED VIEW #1

Clementine Melvin
3 min. read

A monthly review of the (London) Drama.

Curator Reviews

Entertaining Mr Sloane

london
Theatre

One of the more upbeat (albeit darkly comic) things I\'ve seen recently. First half much better than second but the...

from: Alex Bott
Mary, Queen of Scots

london
Dance

It would seem Sophie La Plane (Choreographer in Residence at The Scottish Ballet) has a genius for balance and critical tension, offsetting...

from: Sarah Hyde
Porn Play

london
Theatre

Like a grown-up version of Der Struwwelpeter. The message in \"Porn Play\" is unrelentingly clear. Hands above the covers kids...

from: Sarah Hyde
Ballet Shoes

london
Theatre

Goddammit I was not expecting this to be so good!!! A family (read: 3 grown adult women) outing to the...

from: Louise Snouck
Stereophonic

london
Musical

The staging is inviting, I felt a part of the studio, more invisible than one of the engineers, Charlie. The...

from: Luke Bromage-Henry
Into The Woods

london
Musical

Last year I saw Fiddler on the Roof at the Barbican and my eyes were opened to a new style...

from: Luke Bromage-Henry
The Maids

london
Theatre

I had no idea what awaited me when I sat down to watch The Maids on its third night at...

from: Luke Bromage-Henry
OH MARY!

london
Theatre

Did I know when I saw this about two years ago in its infancy that this was going to be...

from: Louise Snouck
GIANT

london
Theatre

I was lucky enough to see this at The Royal Court and it was unforgettable. John Lithgow transforms into a...

from: Esmé Thompson
Who’s Afraid of Virginia Woolf?

london
Theatre

Was Mike Tweddle, Creative Director of the Oxford Playhouse, thinking of the famous line about the self-referential nature of theatre...

from: Sarah Hyde